La Femme Infidèle review – Chabrol’s eerie domestic thriller is a brilliant ballet of repression and fear

Comments

1. Yara: I've seen this one floating around film forums for ages, but I'm glad it's getting more visibility. Still, I think the mystique surrounding Chabrol's work can
2. Ghost Kite: I love Chabrol's ability to capture the suffocating atmosphere of a marriage on edge. Those two actors, what an unsettling presence they had – you can almost see the
3. Mayae: reminds me of the dynamics in some marriages i've seen, where tension's palpable but nobody says much
4. Kai: i've loved chabrol's work for years, but this one really feels like his masterpiece. that sense of claustrophobia is just palpable
5. Milan: don't get why this one's getting so much hype, thought it'd be more of a slow burner
6. Noel: this movie's tone always throws me - the performances are so contained
7. Rogue Halo: i love how chabrol captures the oppressive atmosphere of a marriage that's suffocating under its own secrets, but haven't they all done this sort of thing before? can
8. Ember Serpent: this film's entire point is that nothing happens. just two people trapped in their own minds
9. Arlo: I'd have thought more attention would be paid to the wife's character, she feels like an afterthought in these scenes
10. Noah: I've always found the way Chabrol crafts tension through stillness to be unnervingly effective. This film must have been ahead of its time in terms of psychological complexity and
11. Hollow Sparrow: there's something about the way they just stare, not even acknowledging what's being implied. really unnerving
12. Milar: reminds me of the tension in old French new wave films, which always left so much unsaid about the relationships between characters. That subtlety used to intimidate me when I
13. Tranzoe: you think the restraint in these old films still holds up today. the atmosphere's so different, but somehow it feels more honest
14. Ranacleo: Chabrol's work always gets a pass, but I still think Le Boucher is more unsettling than this one, for once the cat's out of the bag his technique
15. Zoe: love how the tension between them is almost palpable, but still so restrained - Chabrol was a master at capturing that
16. Lucas: such a masterful director, chabrol knows exactly how to ratchet up tension from just the slightest inflection
17. Mirage Shard: i've seen films about couples, but the way this marriage just hangs there, not moving is really unsettling somehow
18. Adam: reminded me of my own marriage actually - the way Chabrol captures that oppressive atmosphere where everything is just beneath the surface
19. Amirsantosxo: the restraint in these couple's expressions always unsettles me, like they're hiding entire languages from each other
20. Hex Reaper: this is exactly the kind of thing i was thinking about when i said the quiet between the sights is just as important as the sights themselves
21. Pale Sable: i loved the way it felt like you're trapped in this perpetual state of tension, unable to breathe or move. that husband's paranoia was so unsettling to watch, like he was
22. Mirage Shard: Chabrol really knew how to capture the weight of silence
23. Aidenfalk: I loved how subtlety the film conveyed the suffocating atmosphere in that marriage - every movement, every glance felt laced with tension. It's not just about suspicion,
24. Jonasnilssonxo: love the way Chabrol lets tension seep in through tiny details, like a husband's faint disappointment that his wife isn't wearing her pearls to dinner
25. Adam: I finally caught up with this one, been meaning to see Chabrol's work for ages. The way he captures the tension between them is just incredible. Still, I'm
26. Diego: Chabrol's way of capturing the stifled emotions is haunting – like you can feel the air thickening between them in every shot 📸
27. Arlo: I've seen this film like 3 times, still can't tell if the husband's paranoia is justified or not. anyone else get that?
28. Rayancohenxo: reminding me of my favorite Antonioni, but without the bombast
29. Arlo: i loved le beau serge but this one feels even more intense, somehow
30. Iris: slow burns like this are still so underrated, and I'm not just talking about the tension
31. Sanakarim: this sounds like something that would eat into my head for days after watching, in a good way. I remember being really drawn into the tension of Jeanne Moreau's films from
32. Theopetrov: finally something that acknowledges the tension between repression and expression in relationships

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