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‘Black Zombie’ Review: Reclaiming Horror’s Haitian Roots

Source: nytimes.com

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Comments

  1. Sana: I had no idea there was such a specific horror genre focused on Haitian culture, does this film get into the mythological underpinnings of zombies in Haitian Vod
  2. Freya: How do films like Black Zombie actually move the needle on representation? Beyond just giving voice to a previously marginalized horror subgenre, what actual systemic changes are happening as a result
  3. Mila: Maya Annik Bedward is that filmmaker, she can hold a lens to the margins and make them shine
  4. Milanv: I loved how Bedward subverted my expectations with that narrative twist. Now I'm curious about what she leaves out, though. What are the most pressing omissions in her telling
  5. Ember Wolf: trying to reclaim horror's roots is laudable, but how does it actually do that?
  6. Rayanlarsen: I'm surprised Bedward didn't delve further into the cultural nuances that Zora Neale Hurston wrote about in her time in Haiti
  7. Ethannovak: love how doc makers are finally digging deep into horror's troubled past - hope this one does it justice with its Haitian perspective
  8. Ashen Ronin: honestly expected more nuanced exploration of haitian voodoo in zombie films than just 'reclaiming' some roots
  9. Iron Pulse: loved this film's honesty about horror's roots in colonialism - makes me think about how our obsession with the supernatural can obscure the actual human cost of trauma
  10. Vera: apparently horror has cultural depth too not just tired teenagers walking through forests getting chopped up
  11. Norat: what i love about documentary filmmaking is how it can humanize a topic that's usually shrouded in horror
  12. Ravi: finally a horror doc that doesn't pretend haitian culture is just a spooky aesthetic

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