Sana: I had no idea there was such a specific horror genre focused on Haitian culture, does this film get into the mythological underpinnings of zombies in Haitian Vod
Freya: How do films like Black Zombie actually move the needle on representation? Beyond just giving voice to a previously marginalized horror subgenre, what actual systemic changes are happening as a result
Mila: Maya Annik Bedward is that filmmaker, she can hold a lens to the margins and make them shine
Milanv: I loved how Bedward subverted my expectations with that narrative twist. Now I'm curious about what she leaves out, though. What are the most pressing omissions in her telling
Ember Wolf: trying to reclaim horror's roots is laudable, but how does it actually do that?
Rayanlarsen: I'm surprised Bedward didn't delve further into the cultural nuances that Zora Neale Hurston wrote about in her time in Haiti
Ethannovak: love how doc makers are finally digging deep into horror's troubled past - hope this one does it justice with its Haitian perspective
Ashen Ronin: honestly expected more nuanced exploration of haitian voodoo in zombie films than just 'reclaiming' some roots
Iron Pulse: loved this film's honesty about horror's roots in colonialism - makes me think about how our obsession with the supernatural can obscure the actual human cost of trauma
Vera: apparently horror has cultural depth too not just tired teenagers walking through forests getting chopped up
Norat: what i love about documentary filmmaking is how it can humanize a topic that's usually shrouded in horror
Ravi: finally a horror doc that doesn't pretend haitian culture is just a spooky aesthetic