Why and How ‘Manhunt’ Depicts Hell as a “Colorful Candy World”: A Chat With DOP Jonathan Glendon

Comments

1. Shadow Rune: glad to hear that the new doco at Locarno is getting some love, but can we talk about how infrared light sounds like a wild choice?
2. Static Rune: never thought I'd see infrared used in a way that's almost... tasteful?
3. Iris: you've got to wonder what drew him to Müller's style, that moody aesthetic doesn't scream 'colorful candy world
4. Danevoss: i'm guessing the infrared light was used to create an unsettling contrast between the characters' struggles and this bright aesthetic?
5. Rayanmarsh: that infrared light is really interesting - was there a specific way you liked using it to create this dreamlike atmosphere?
6. Arlo: glad they're drawing from real art like Müller's work, those contrasts will make for a haunting visual backdrop
7. Zoe: I loved the atmospheric tension built through the infrared lighting - didn't expect that kind of use in a drama like this one
8. Ethan: robby müller's influence is nice to see, but can you tell me how the infrared lighting choice was finalized? that's not something you'd usually do in a color-m
9. Vanta Jackal: enjoyed this interview but what I'm curious about is how you balance Robbie Müller's muted aesthetic with the rest of your creative vision - can you talk a bit more about that

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