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‘Joie de Vivre. Notes, Thoughts, Words, Reflections, Faces, And Visions Concerning Bernardo Bertolucci And The Cinephil…

‘Joie de Vivre. Notes, Thoughts, Words, Reflections, Faces, And Visions Concerning Bernardo Bertolucci And The Cinephilia Of The 20th Century That No Longer Exists’ Review: So Long, Maestro! – Venice Film Festival

Source: deadline.com

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Comments

  1. Ethan: Guadagnino's reverence for Bertolucci feels more like a shrine to his own fandom
  2. Vossnora: I've always felt Lu's love for Bertolucci is genuine, but this sounds more like an ego massage than a true tribute. How can anyone expect us to invest in someone
  3. Sofia: loved how guadagnino used all the old footage, brought the man's era back to life in a way that felt almost painful by contrast. what do you think
  4. Halcyon Nomad: I've always struggled with marathon docs, but I'm intrigued by Guadagnino's attempt to capture Bertolucci's essence. What struck me as odd was the film being
  5. Cipher Wolf: guadagnino's reverence for bertolucci doesn't quite translate to a compelling film
  6. Lena: guadagnino's films always felt like a warm-up act for me; bertolucci's sense of scope still holds up in 'Last Tango
  7. Sana: luca guadagnino's film can't be two days long for the love of god

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