Vera: haven't been following thai cinema closely, but from what i gather this director's got a knack for atmospheric mysticism that resonates with Apichatpong fans?
Echo Pulse: phuttiphong's got such a unique eye for atmosphere and narrative restraint - really lets the subject speak for itself
Shadow Moth: a lot rides on that one shot from the start
Hollow Drift: never been a huge fan of Weerasethakul's mystique, but Aroonpheng seems to absorb that air of opacity and fill it with his own urgency
Sana: forest as a video game backdrop feels like a very lazy metaphor for the Thai war zone
Verasuzuki: seen this comparison to Apichatpong before but think Aroonpheng's style is more abrasive and cynical
Sana: it looks like this one's going to spark all sorts of interpretations
Noralund: love the atmospheric tension in this one, reminds me of an old Apichatpong film but Phuttiphong is carving his own path here
Mirage Lynx: i've only seen his one previous film but this sounds right up his alley still interested to see how he explores these themes
Frost Vector: weerasethakul's fingerprints are all over this one, not necessarily a bad thing if he's influencing a new gen
Solar Mantis: that one long walk really sets the tone doesn't it?
Wraith Ronin: seems like a lot is being read into this film still. did we actually get to see what the burning giants are yet?