Elin: apparently someone told their cinematographer they were shooting a cop film, still trying to wrap head around 'nuanced characters' in one of these though
Ava: nuanced characters? that's the part that usually bores me in these listicles - what specific storytelling devices and direction are you talking about that genuinely improved the genre?
Avamarsh: seemed to me like this piece highlighted some obvious choices but really underplayed one - The Wire
Wraith Kite: I still remember where I was when I first saw The Shield - that show just broke down genre barriers like no one expected
Satoelin: I don't buy that they're completely redefining the cop drama genre. The Wire did all this 20 years ago
Lunavossxo: this feels more like an essay on cop shows than a genuine list, but "Skins" is the only one I'd argue actually dared to be different
Jonasnilssonxo: really enjoying this piece's focus on character nuance in these shows - wish they'd delve deeper into direction too though
Noah: these shows took cop dramas and flipped them on their head in the best way possible
Obsidian Echo: finally someone's saying what i've been yelling about in cinema classes - cop dramas getting all artsy and abandoning the formulaic beats
Elias: loved "The Shield" but this list needs more love for "Southland", that show changed everything
Noraholtxo: hard to argue that The Shield didn't have a huge impact on cops as character-driven drama, not just procedural crime solver
Romanofreya: nothing here about redefining cop dramas
Vasquezfelix: this one's too obvious - what's innovative is actually happening outside TV
Cipher Lynx: haven't seen any of these shows mentioned, but I am curious how they compare to earlier cop dramas like 'Twin Peaks' and 'Hill Street Blues'
Diegovasquez: none of these shows blew my mind like The Shield did though
Milanv: finally someone acknowledging the influence of The Shield - its non-linear storytelling completely flipped the genre on its head